Posts by: Bianca-Olivia Nita

When Romania became part of the European Union in 2007, the country had adjustments to make. Among them was that every jail in the country had to have an ‘intimate room,’ a place for inmates to spend private time with their partners. Over the course of several years, Cosmin Bumbut photographed these newly-created cells in all of the country’s 40 penitentiaries. His photo series, Intimate Room, is a complete documentation of these artificially created spaces for intimacy.

London-based photographer Marco Barbieri has always been interested in countries where politics and religion play a central role in people’s lives. He decided to travel to Uzbekistan after seeing images from the disappearing Aral Sea, but his initial plan became much more than he thought it would. His photo series Water in the Desert places water in the country’s broader context, and reveals how a dictatorship can turn logic upside down and make the absurd an acceptable part of daily life.

Mike was the first person to be in this project. He came from Ohio, but he had to leave because he used to smoke weed and was arrested. He is now rebuilding his life, has a place to stay, and started work, thanks to an organisation from San Francisco.

Honey run away from home because of her violent husband. She slept in her car, but it broke down. The police took it, so she had to sleep in the park. She learned how to play the ukulele by herself. She is called Honey because of her sweet voice. She had her first performance at the hotel where I photographed her.

Few people’s lives turn out exactly as planned. Horia Manolache’s series The Prince and the Pauper portrays homeless people from San Francisco, as they are now and as the people they once dreamed they would become.

In traditional communities in the North of Transilvania, accompanying the local priest on his visits gives you a privileged kind of access into people’s lives. That’s what Romanian photographer Remus Tiplea discovered during the two years he documented the relationships between two priests and the families in their parish.

When he moved to Brasilia in 2014, photographer Gustavo Minas couldn’t help but feel alienated. The city felt prone to separate; he didn’t like its open spaces and unwalkable roads, and the way people seemed to always be in their cars made him feel disconnected. The only place where he could feel the buzz of life was Rodoviaria do Plano Piloto – the Central Station of the city. His ongoing series Bus Stop is the result of his need to observe and get closer to others.

Worker on AKHZ (Avdiivka Coke & Chemical Plant) seen on the roof of the coke battery, Avdiivka, Ukraine, 22nd of October, 2015

The railway bridge on Ukrainian held territory, blown up by the separatists, blocking the highway from Donetsk to Slovyansk. 60 % of the railways and the roads infrastructure have been destroyed in Donbass, as a result of civil war. Krasny Partizansk, Eastern Ukraine, 11th of November 2014.

The conflict in Ukraine comes on and off the international media spotlight, but whether there’s news about it or not, the tensions and armed fighting in the Donbas region never really cool off. Russian photographer Dmitri Beliakov’s Ukrainian Chronicles is an extensive documentation of this conflict and of the ongoing struggle that continues even after the cameras are turned off. Beliakov’s images might make you want to avert your eyes, but they are such a necessary account of how a conflict zone is more than just a news narrative, and of how terribly painful and rough war really is.

Karen lives with her mother, who is a secretary and saved money for more than a year and took out a loan to organize the party. It cost 4 millions pesos (1800 USD) and 85 people were invited. Karen wants to become a doctor.

Laura’s father is a fruit seller, and her mother is unemployed. Laura loves playing football and will join the female youth Colombian football team in 2015. Her parents saved money for six months to organize her quinceañera. 200 people were invited. Laura wants to become a criminologist.

In many parts of South America, a girl’s fifteenth birthday is a moment of great importance. Quinceañera marks the transition from childhood to young womanhood, and its tradition goes beyond social class and background. French photographer Delphine Blast got interested in this celebration and in the way it combines local culture and Western influences. For her photo series Quinceañeras, Blast spent two months in the suburbs of south Bogota, in Colombia, and the result is series of eye-catching portraits of girls dressed in their party dresses, photographed in their usual environments.

When he is not busy with his long-term documentary projects, Romanian photographer Remus Tiplea turns his camera towards a subject close by. These damselflies – real-life versions of Pixar insect cartoons – have been photographed in his backyard in Negresti-Oas, Romania.

Los Angeles, United States

Cannes, France

TV reporters seem to always be in the right place at the right time, ready to tell the world about what’s happening directly from the middle of the unfolding events. Live news is often arresting, giving the audience the impression that the camera is simply bearing witness to reality as it is. But often these live reports are a performance and the feeling of being on top of the events is carefully curated. In his subtly absurd photo series TV Anchors, Slovakian photographer Martin Kollar captures what happens before the camera is turned on and the staged feel of the reality behind the reality seen on television.