Posts tagged: still life photography

The Mysterious Life and Work of Morton Bartlett and His ‘Family’ of Dolls


Morton Bartlett, Untitled (Girl Wagging Finger at Dog), c. 1955


Morton Bartlett, Water Ring, c. 1934

In 1963, the last of fifteen plaster dolls, twelve girls and three boys, were shrouded in newspaper and set to rest in individual wooden boxes, never to be opened again until 1993, the year following the death of their creator, the then-unknown photographer Morton Bartlett.

See the World’s Most Iconic Places Transformed by Whimsical Paper Cut Outs


Big Ben, London


Arc de Triomphe, Paris

London-based photographer Rich McCor understands that his city is a magical one, but like all of us, it’s easy to become tone-deaf to the quirks and nuances of a place simply by way of living there for a long period of time. That all changed when he saw Big Ben as no photographer had seen it before, not as a looming landmark but as his own personal wristwatch. Under the Instagram @paperboyo, McCor has reinterpreted the world’s most photographed sites using simple paper cutouts and an ingenious play in perspective.

‘Futurists’ Portraits Prove That Cyborgs, Telepathy, and Virtual Worlds Are No Longer the Stuff of Science Fiction


Neil Harbisson is widely considered to be the worlds first officially recognised cyborg. Born with a rare form of colour blindness, the antenna is implanted directly into his brain and allows him to hear visible and invisible colours as sound. It also has a wifi connection so he can receive music or phone calls and even colors from satellites and extraterrestrial colors from space directly to the brain.


DIY brain hacker Andrew Vladimirov uses electrical currents, magnetic fields and lasers to alter his moods and state of mind.

“I’ve met a man who can receive information from outer space directly to his brain,” says London-based photographer David Vintiner, who, over the course of his series Futurists, has in many ways been documenting various possible futures for mankind. The man he mentioned is Neil Harbisson, an artist, activist… and cyborg, who at the age of twenty one, had an antenna permanently implanted into his skull. For the photographer, Harbisson is just the beginning; Futurists features a wide array of men and women who, through their careers or hobbies, are working to push technology to its limits, all in the name of a better future.

Photographer Uses Paint, Oil, Honey, and Milk to Bring Human Emotions to Life


For French photographer and filmmaker Thomas Blanchard, the words “joy,” “grief,” “fear,” and “longing” do little to express the nuanced and visceral sensations that they connote. For The Colors of Feelings, he taps into a more primal and intuitive realm to bring emotions to life through imagery. Through an alchemy of paint, honey, cinnamon, oil, and milk, he constructs macro scenes that move in turn from harmony to discord and back again. Our feelings and responses, he suggests, aren’t solid but diaphanous and ever-changing; like paint and oil, agony and ecstasy can overlap to become something new and unnamable. In the end, implies Blanchard, it all commingles, and our state of mind—no matter how hard we try to control it—never stands still.

Portrait Project Looks at the Carbon Footprints of People Living Around the UK


[17.2 tonnes CO2e]
Bev is an Environment Protection Officer with the Scottish Environment Protection Agency (SEPA). He loves riding his motorcyles of which he has four. He lives alone.
“The ice caps have come and gone on a 180,000 year cycle but it is evident that they are now melting at a rate faster than they normally would. Human impacts have made a great contribution to some aspects of climate change, We are in a cycle and we can’t stop it. I honestly don’t know the answer. Maybe we can slow it down a bit, but I do think we’ll end up going back to water where we came from at some point.I am not very optimistic – I really do not know what we could do to make a difference. Personally I’m not surprised at the size of my carbon footprint, it does make me reflect on the sustainability of my current lifestyle. I live in an old stone building with very poor thermal properties.”


[4.8 and 6.9 tonnes C02e]
Karen and Adam live and work in the woods in the south of England. They make charcoal and manage the woodland using traditional coppicing techniques.
“We think of this as a carbon neutral business. With the coppicing, we’re restoring old hazel. When we came here it was getting old and large, and starting to collapse. Old trees don’t consume as much carbon as a young tree. Where we’ve got the young stools coming up, they’re consuming much more carbon. So this woodland is now consuming more carbon than before we started managing it. Climate change is a big issue. Where possible I like to buy local, but it often comes down to money if I’m buying new. I drive a lot and I keep an old diesel vehicle on the road and I use recycled chip fat biofuel when I can. I don’t really think about climate change when I travel. If I have the funds and want or need to go somewhere, I go. While the elite are making money from war, I don’t feel me and my van will make a lot of difference when there are fighter jets burning more fuel on take off than me making a thousand mile journey.” The difference in their footprints is largely to do with the driving done by Adam.

We all know about climate change in a sweeping and abstract way; we understand that sea levels are rising, that coastlines are in danger, that animal populations are dwindling, and that we can no longer tame weather patterns and natural disasters. We recognize where our governments and global communities have failed, but for many of us, suggests photographer Neil Baird, our comprehension of climate change has one gaping blind spot: our own role in the problem. For Footprints, he documents and interviews people living around the United Kingdom about their thoughts on the significance of climate change and our uncertain future, all while calculating their individual carbon footprints.

Homeless Pit Bulls Get a Chance to Shine in Floral Photo Series


Murdock, available for adoption at Last Hope Animal Rescue


Aphrodite, available for adoption at Sean Casey Animal Rescue


Apple, adopted

Murdock, says New York-based photographer Sophie Gamand, who has been making portraits of pit bull type dogs over the last year, is “the sweetest dog.” Like some other pit bulls who ultimately wind up homeless and in shelters, Murdock was abused at a dog fighting ring, where he was used as a “bait dog” to test the fighting strength of other dogs. His mouth was likely taped shut so that he was unable to defend himself, and he survived the ordeal with one blind eye and numerous wounds. Despite the cruelty of his past, Murdock was and continues to be deeply loved by the shelter staffers who care for him. Pit bulls like Murdock are what drives Gamand to continue to fight against the stigma that often surrounds them with her series Pit Bull Flower Power, for which she has photographed over one hundred dogs cloaked in handmade crowns of blossoms.

Roger Ballen’s New Book Probes Into the Darkest Corners of the Human Mind


Cat and Mouse, 2001 courtesy Roger Ballen


Displaced, 2011 courtesy Roger Ballen

The manifold works of Johannesburg-based photographer Roger Ballen are, in the eyes of writer Didi Bozzini, intertwined by an endless thread by which the real world and its various players and objects become stand-ins for that which cannot be photographed about humanity, our nature and our condition.

Photographer Traverses the Inhospitable Terrain of the Mojave and Sonoran Deserts




“What am I doing here?” is a question that returns time and again to Phoenix-based photographer William LeGoullon as he makes his way through the Mojave and Sonoran deserts that blanket the American Southwest. The desert is, he suggests, by definition a place unsettled by man, and yet throughout Arizona, New Mexico, and California, he has discovered moments in which the wilderness and humankind meet, do battle, and in some rare cases, become reconciled to one another. Nearing Dissonance is his record of the desert not as it was in the days of Manifest Destiny but as it is today, suspended in an uncertain and precarious struggle with mankind.

Announcing Our Flora & Fauna Photography Show Winners to be Exhibited at Photoville


© Brooke DiDonato
Blending In
11 x 17 inches
Edition of 10
$375 (40% of proceeds to Hempstead Town Animal Shelter)


© Brooke DiDonato
11 x 17 inches
Edition of 10
$375 (40% of proceeds to Hempstead Town Animal Shelter)

Flora & Fauna, presented by the photography website Feature Shoot at Photoville, is a show about plants and animals curated by Feature Shoot’s Instagram followers opening Friday, September 10 at Brooklyn Bridge Park. Over a period of 3 weeks, we sorted through over 9,000 images and posted over 400 images to Instagram, inviting our followers to vote. Our followers cast their votes simply by “liking” the image(s) on Instagram, and the 25 most popular images (from 22 photographers around the world) are presented in this show.

3 Photographers on What It’s Like to Work (and Sell Images) with ImageBrief (Sponsored)


Emily Wilson

“I like working with people who genuinely want me to succeed,” says portrait photographer Emily Wilson—who has worked with such clients as The New York Times, Grey Advertising, and The Globe and Mail—of her decision to join ImageBrief, a platform that directly connects brands, advertising agencies, and other buyers who are looking for specific content with photographers who are perfect for the job. Like so many others on ImageBrief, she’s found the support she needs to further build her already impressive network of top clients, including Reebok, whose executives hired her on assignment after seeing some images she’d uploaded to her profile.