Posts tagged: still life photography

This post is brought to you by our friends at Squarespace, the all-in-one web hosting platform perfect for photographers.

Raised in Barcelona and based in Berlin, the photographer Silvia Conde has explored some of the most pristine locations on the planet. Scrolling through her portfolio feels like stepping back in time. From dreamy landscapes to analog portraits, her sun-drenched images remind us of our enduring connection to the environment and the importance of protecting it for generations to come.

Conde’s body of work represents a modern-day Garden of Eden. She’s created a beacon of hope for the environmental movement, a lasting tribute to the resilience of nature in a world where almost everything seems disposable. And with Squarespace as her website builder, she’s also created something else: a lush and dynamic digital space that captures the breadth and beauty of the natural world.

We spoke with Conde about her commitment to making art that makes a difference and the one-of-a-kind website she created to showcase it all.

Fergusson’s Speculum, Duke University’s History of Medicine Collections, David M. Rubenstein Rare Book & Manuscript Library, c. 1880.

Birthing Stool, Private Collection, c. Unknown.

Vaginal Tube & Wire Work Speculum, Duke University’s History of Medicine Collections, David M. Rubenstein Rare Book & Manuscript Library, c. early 20th century.

In the last couple of years, Lindsey Beal has found herself in some of the country’s leading medical libraries, where she’s examined gynecological tools dating back centuries. “I was often required to wear surgical gloves when handling the items, as if I were using the items medically,” she tells me. “[That] directly connected me to the history and use of the items by placing myself in the shoes of the practitioner.” But Beal isn’t the typical researcher; she’s not a medical historian but a photographer, artist, and educator, and her project Parturition provides an intimate visual account of women’s health throughout the years.

Photos (clockwise from left): @bottenvikenmatters, @tinetti_julie, @alixjoyce, @konrad.jpg

Plastic Planet © Wolf Silveri (@wolf.silveri), Rosenheim, Germany

Every Day is a Gift © Deborah Hodges (@debhodges), Gig Harbor, WA

In 2016, Feature Shoot launched The Print Swap in hopes of connecting photographers across the world. Eight international exhibitions later and with more on the way, we’re thrilled to announce the largest Print Swap show ever, taking place at the beautiful ROOT Studios in Brooklyn on December 13th. This will be our second holiday party, and every single photographer who participated in the swap between mid-September and mid-November will exhibit their work. We have artists from all over the globe represented, and with some of them traveling from faraway locales to attend, it will surely be a night to remember. If you’re in town, be sure to RSVP here.

Zebra Bookend, 2018

Stacked Turtles, 2018

Bear Gallbladder with Bosc Pears, 2018

Take a look at Christine Fitzgerald‘s still life with pears, and you might mistake it for an antique; after all, it was created using a 19th century photographic process. But if you dig beneath the surface, you’ll find something unsettling about this particular tintype: one of the “pears” isn’t a pear at all. It’s the gallbladder of a bear. “Bear parts, including paws, gallbladders, and genitals, command great prices on the black market,” the Canadian photographer tells me. Her series TRAFFICKED takes a fresh and unlikely approach to the horrors of today’s illegal wildlife trade, bringing us face-to-face with the objects confiscated by the Wildlife Enforcement Branch of the Canadian Government.

When the gallerist Giles Huxley-Parlour discusses the work of Jocelyn Lee, he doesn’t talk about seeing the work “in person.” Instead, he uses the phrase “in the flesh.” When the poet Sharon Olds writes about Lee’s photographs, she uses the same word, asking, “What is this flesh, anyway?!” And when Lee describes her own images, she tends to use the word “naked” instead of “nude.” The Appearance of Things, created over the course of about a decade, is her exploration of our bodies, their strength, and their fragility.

Mr. Gray. In the Garden of Weed(en).
Photography by Scott Southern @boro.vision, Collection of Greyspace.

Banjo. Optimus Prime, 2013. Photography by Alex Reyna @areysocal.

Some folks smoke joints or vape on street corners and be done with it; but not all cannabis connoisseurs are nearly so informal. There are a self-selecting group of smokers who prefer the accoutrements the herb calls for, finding pleasure in hand crafted glass pipes that are as complex and compelling as the drug itself. Both an object unto itself and a vessel to the promised land, pipes have evolved into highly intricate designs by artists who live the life.

This is a Pipe: The Evolution of the Glass Pipe and its Artists (Nicholas Fahey & Brad Melshenker/INSTITUTE) chronicles the history the underground scene that began 40 years ago with the Godfather, Bob Snodgrass and follows the evolution of an art that takes Louis Sullivan’s maxim of “form follows function” to a new high.

Plants have historically had a significant presence in visual arts, from the vibrant flowers in Monet’s paintings to the still and colder photographs of Karl Blossfeldt. And while the meaning and significance might have changed from one artist to the next, plants have always been a subject through which to communicate a larger message about nature, and sometimes, humanity.

Inside of a greenhouse in March 2015, the photographer Samuel Zeller found what would become a body of work that now spans over three years and several countries. In his latest photo book, Botanical, published at Hoxton Mini Press, the photographer looks at exotic plants enclosed in the warmth and protection of European greenhouses.

The Stray. Marmaduke / Shar Pei Pitbull mix, 7.5 years old (Marmaduke is up for adoption at Pacific Pups Rescue!)

The Senior. Magda / Cocker Spaniel Dachschund mix, 13.3 years old

Last year, I opened an old cardboard box to discover a long-forgotten stuffed monkey that once belonged to my childhood dog. Perry passed away more than a decade ago, but the memory of his scent rushed back to me in an instant. The tattered, time-worn toy seemed to contain so much of the life of my beloved pet, regardless of how much time had elapsed. Dogs, like humans, have objects they use and cherish, and these items help define who they are. The Los Angeles photographer Alicia Rius pays tribute to this truth in her new series A DOG’S LIFE.

“My background is in engineering and research. I quite enjoy, now, reflecting on how I became mad and that process of where the brain takes you. That I find fascinating. I think it’s quite difficult to become suicidal really. You need trigger points, some people need just need one, I needed quite a few. But once you’re there…

“The first time that I had heard the word Maytree I had been sectioned. I was in Chase Farm, Enfield, in the hospital unit. There were 4 people around the table chit chatting and 2 of those had both been guests at Maytree. It was 2005. It was coming up to the Christmas period and I didn’t think I’d get through it. One of the women said maybe you could go and stay at Maytree.

“Maytree was a wonderful safe place. I remember I was in a bad place. It really was quite bad. I couldn’t cook or do anything for myself. I used to love porridge. On the first morning Michael made me porridge and I thought… that little thing, making the porridge, was good.

“When I got better I thought maybe I should volunteer at Maytree. I think I have a sense of loyalty to Maytree. I find it therapeutic going there. It’s sometimes very challenging but I’ve never really thought it’s too overpowering, but when you walk through that door you never know…” – Michael

Maytree is a house in Finsbury Park, London. It has four bedrooms, and its inhabitants change all the time. As a suicide respite center, it serves as a temporary home to people in crisis. Guests stay for four days and five nights only; during that time, they can speak openly with volunteers and peers. They can talk about anything and everything, or they can talk about nothing. There is no judgement, and the environment is decidedly non-clinical.

There are about 150 volunteers currently working at Maytree. The photographer Daniel Regan is one of them. His book and exhibition project I Want to Live tells the story of this unusual house and the people who walk through its doors.