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Posts tagged: animal photography

The Life of One Young Lady with Down Syndrome, in Photos

When the photographer Snezhana von Buedingen first visited Sofie’s family at their farm in east Germany, she stayed for three days. She spent her waking hours shadowing Sofie, taking her time to soak in the details of her everyday life. With time, the pair forged a powerful bond; Meeting Sofie is the photographer’s ongoing ode to her friend and muse–a young woman who happens to have down syndrome.

The Secret Bond Shared by Animals and Children, in Photos

Throughout her career, Meera Sulaiman has come face-to-face with a wide array of wild animals, ranging from the giant tortoises of the Galápagos Islands to the trumpeter swans of Ontario. She’s seen the circle of life up-close, witnessing the development of young animals in their native landscapes. She didn’t deliberately set out to photograph animals in captivity, but an encounter she once observed at a local zoo remains embedded in her psyche. A female orangutan and a young girl sat face-to-face, separated by glass, mimicking each other’s gestures. While other adults moved on, she lingered there, and she returned to the subject again and again.

Her project Whispers captures the silent connections that form between children and animals. “Children seem to have a magical affinity with animals, and I see parallels in their worlds,” Sulaiman says. “This series is inspired by my love and fascination with exploring this special, yet little understood, relationship.”

This Book of Funny Animal Photos Will Warm Your Heart

‘Caught In The Act’ © Mary McGowan, Overall Winner 2018

‘Rhinopeacock’ © Kallol Mukherjee, Highly Commended 2018

‘So There’ © Barney Koszalka, Highly Commended 2018

For four years now, Tom Sullam and Paul Joynson-Hicks have delighted us with the Comedy Wildlife Photography Awards. Organized by passionate conservationists and photographers, this annual contest highlights the whimsy and joys of the animal kingdom, all while underscoring the importance of protecting it for generations to come. Under the simple premise of funny animal pictures, they’ve turned hearts and minds towards the continued plight of Earth’s inhabitants and supported the continued efforts of organizations like the Born Free Foundation, which advocates every day for vulnerable species. Now, you can own a collection of outstanding imagery from the competition in the form of the new book Wild and Crazy: Photos from the Comedy Wildlife Photography Awards, compiled by Sullam and Joynson-Hicks.

Moving Photos of the Stray Animals of Sarajevo

For the photographer Adnan Mahmutovic, the stray animals of Sarajevo are more than the subjects of a longterm series. They’re an important part of the fabric of his life. “I don’t consider this is a ‘project,'” he admits. “I’ve taken photos on my everyday walks for years now. The dogs or cats come for a little cuddling or some food.” His pictures aren’t spur-of-the-moment snapshots but the result of an enduring connection spanning many years.

The Horrific Brutality of the Meat Industry, in Photos

A group of pigs being held in a pre-slaughter area in a slaughterhouse in Atizapan, Mexico. The law requires that the pigs are taken to the stunning box where an electric shock should be applied. However, in this slaughterhouse, as in others, the pigs are driven to the slaughter area directly without prior stunning and are killed fully conscious.

At the slaughterhouse in Arriaga, Mexico, this horse arrived with a mobility problem that prevented him from accessing the stunning box by himself. He was dragged by a chain attached to his neck and died of asphyxia after being suspended several minutes. This is a practice prohibited by law.

“The meat industry knows the damage that can be caused by images of abused animals,” the photojournalist Aitor Garmendia tells me. “In order that these images never see the light, they have guidelines to prevent cameras from accessing their facilities.” In fact, his work on slaughterhouses, part of a larger project on animal exploitation titled Tras los Muros (Behind the Walls), is the most extensive undercover record of its kind. Starting in 2015, Garmendia traveled to eleven states throughout Mexico to document the transportation and killing of farm animals. “I visited about two hundred slaughterhouses,” he reports. “I entered fifty-eight.”

Make a Stunning Photo Book with This Great New Tool (Sponsored)

I’ve loved photo books ever since I was a kid, so when I learned about Motif Photos, a native extension for Photos on macOS, I knew I had to make one of my own. Motif uses cutting-edge technology to simplify the process of putting together a top-of-the-line photo book, card, or calendar; in minutes, anyone and everyone can use this tool to design the perfect holiday gift. Whether you’re a professional photographer or a hobbyist, this new extension makes it easy to build a beautiful collection of your favorite images.

I quickly downloaded Motif Photos from the App Store, and then I let my creative side take over. The concept for the book was a seasonal collection of winter landscapes from photographers all over the world. I didn’t want anything typical or overly cheery; instead, I imagined a book that reminded me of that sort of pleasantly melancholy feeling I get on chilly December days. I spent hours searching for some of the most magical and surprising images I could find, and in the end, I had a curated collection of almost forty images. Once I launched Motif, it took me less than five minutes to bring my book to life! The extension took care of all the hard work, and it was smooth sailing for me. Let’s take a look at the process.

Tip: Before you get started, it helps to view everything in full screen.

Once you’re ready, open up the album you want in “Photos” and click “File > Create > Book > Motif”.  Motif has hardcover and softcover books in all different sizes. Each of them is affordable, with the least expensive softcover starting at $9.99. I chose a 10 x 10 hardcover for its durability, good size, and trendy square format.

From there, Motif instantly creates your project. They have tons of themes to choose from, ranging from the classic and chic to the hip and unexpected. I almost went with “Pretty in Pink” because the color complemented some of the images I’d curated for the book, but in the end, I settled on “Gold on White” because I wanted to keep everything as simple as possible and bring the images to the fore.

If you, like me, don’t have graphic design experience, I highly recommend you opt to “Autoflow” your book. The Motif technology understands images and formatting, so I trust it to do that part better than I ever could. Don’t worry: they’ll even help you edit your photos! If you have a bunch of images that look similar, like I did, they’ll pick out the best ones for the book. Motif will also analyze every image for printing quality to make sure it’ll look great in the final book.

When it came time to design the cover, I knew exactly what image I wanted to use: a pensive horse seemingly lost in a paradise of snow. I titled my book Winter Landscapes, and while I loved the sophisticated gold, I mixed it up a bit with a deep green for the text to match the trees in the cover photo. The font was perfect for what I wanted, so I didn’t change it.

Here’s where the fun really starts. Motif is amazing when it comes to sequencing images for you, but you can easily change any detail with their intuitive and interactive image tray. The image tray tool is like your own personal photo editor, so you’ll see your best photos have been noted with a checkmark and sequenced beautifully according to their colors, atmosphere, and composition.

When it came to the first page, I went with a classic Icelandic scene. I deliberately chose a few images with an “on the road” theme (i.e. snowy streets, misty railroads) because I wanted readers to feel as though they were “traveling” through the book. From there, we visited a pastel vista from Luxembourg and a lovely polar bear from the Arctic.

One of the page layouts literally made me smile. The image tray tool paired the deer photo with a gray-muzzled golden retriever. It wouldn’t have occurred to me to pair these two animals together, but seeing them there on the pages, I couldn’t ignore the similarities between their expressions. There was also something vulnerable about both of them; the deer looked like he was hunkering down for a harsh winter, and the pup had clearly reached his golden years. They somehow belonged together in a way that was both heartwarming and poignant.

Motif surprised me again with a stunning layout of five images: on the left, a misty swamp, and on the right, a group of images that together formed tapestry of greens and whites. These photographs images were perfectly paired, and they shared similarly moody, wild, and ethereal atmosphere. It was a stroke of genius for Motif to couple the Swedish landscape with an abandoned waterslide; I only realized the parallel lines in these photos when they were presented side-by-side.

Next up were pages 14 and 15. The cutting-edge technology over at Motif paired up two vertical frozen landscapes, which I had hoped for from the start! That layout was followed by two sublime and mysterious photos in which all shapes and forms seemed lost in blankets of fog. From there, we went straight into another Icelandic vista across and a serene forest, and I decided to add an almost abstract crop of tree branches into the mix. As we drew to the end of the book, I wanted the images to start to feel airy and delicate, as if we were heading into the eye of a blizzard, and Motif helped me tap into that vibe.

Before checking out, I gave myself a full run-through of the entire book to make sure it was just right.

I eagerly awaited the arrival of my book, and within a few short days, I found it right outside my doorstep. The packaging was beautiful, and the book itself knocked my socks off. I grew up looking at art books, and this one instantly stood out as pretty and sophisticated. The colors came to life on the printed page, and together, the images helped tell a story about frosty and enchanted winter days. I made a cup of hot tea and spent quite a while thumbing through the volume over and over again.

Winter Landscapes is now proudly displayed as the pièce de résistance of my bookshelf, and I know I will return to it many times throughout the upcoming months, curled up on the coach and watching the snow fall outside my window. I also created a Motif Photo book for my husband, and the process was so intuitive and quick that I know I’ll be making more in the future. Using Motif was such a fun, easy experience from start to finish, and I am delighted by the results.

The Secret Life of Alpacas, in Photos

According to Andean mythology, alpacas are gifts from the gods and goddesses. They arrived in our world under one condition: we must always treat them well and tend to their needs. Many centuries later, the photographer Daniel Gebhart de Koekkoek pays homage to these age-old animals with Better Living with Alpacas, a new calendar in which he imagines the secret life of a few mischievous fellows.

Poignant Photos of a Man in the Final Year of His Life

Hugo, the oldest man in the town of Las Cascadas, spends time sitting in his couch watching how the wind moves the trees on his farm on a cold winter day on July 25th, 2016.

From his farm in southern Chile, Hugo says the Osorno Volcano is majestic, imposing, and the most beautiful in the world. While this view has been with him every day, he often confuses it with other volcanos.

Years ago, two men, Hugo Küschel and Teodoro Hofmann, lived in the village of Las Cascadas, Chile. Here, they tended their farms, raised their families, and became dear friends. Teodoro passed away in 1978, but more than thirty-five years later, his granddaughter, the photographer Constanza Hevia H., would meet Hugo for the first time. By then, Hugo was the oldest man living in Las Cascadas, and he and his wife Wilma spent their time inside their house, where the photographer became a regular visitor. “One day, I asked Hugo if he was afraid of death,” she says. “He told me, ‘Look, I look at it in this way: tomorrow or the day after tomorrow, one has to leave this earth.'” The Time I Have Left is her record of Hugo’s memories and the final chapter of his life.

Join Us in Brooklyn for The Print Swap Holiday Exhibition!

Photos (clockwise from left): @bottenvikenmatters@tinetti_julie@alixjoyce@konrad.jpg

Plastic Planet © Wolf Silveri (@wolf.silveri), Rosenheim, Germany

Every Day is a Gift © Deborah Hodges (@debhodges), Gig Harbor, WA

In 2016, Feature Shoot launched The Print Swap in hopes of connecting photographers across the world. Eight international exhibitions later and with more on the way, we’re thrilled to announce the largest Print Swap show ever, taking place at the beautiful ROOT Studios in Brooklyn on December 13th. This will be our second holiday party, and every single photographer who participated in the swap between mid-September and mid-November will exhibit their work. We have artists from all over the globe represented, and with some of them traveling from faraway locales to attend, it will surely be a night to remember. If you’re in town, be sure to RSVP here.

Stirring Photos of Animals in the Aftermath of Hurricane Florence

Pigs who survived the hurricane and escaped their farm swim through flood waters in North Carolina. © Kelly Guerin / We Animals

Drowned body of a broiler chicken on a porch in North Carolina. © Jo-Anne McArthur / We Animals

Cows who survived the hurricane, stranded on a porch, surrounded by flood waters in North Carolina. © Jo-Anne McArthur / We Animals

When the filmmaker Kelly Guerin was on the ground in Duplin County, North Carolina, in the wake of Hurricane Florence, she encountered a group of pigs stranded on a highway bridge. It was already getting dark, but she and local activists Daniel Turbert and Caroline Byrd couldn’t leave the pigs behind. After coordinating with local sanctuaries, Guerin and Turbert stayed with the animals all night, counting them, checking that they were still breathing, and waiting for their rescue. Many of the pigs in the area had never seen the outdoors before Florence; raised for meat, they had spent their lives confined to factory farms, and when the hurricane came, they were been taken by the water.

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