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Posts tagged: street photography

Remembering the Life and Legacy of Patrick D. Pagnano, Street Photographer

On October 7, 2018, the photographer Patrick D. Pagnano died, leaving behind a treasury of classic American street photography and documentary work made over more than 50 years.

While attending Columbia College Chicago, Pagnano developed his “stream of consciousness” approach to street photography, a narrative technique inspired by Robert Frank, Garry Winogrand, and Walker Evans. Pagnano strove to capture the essence of the moment while simultaneously indicating a larger story beyond the photograph, creating a dynamic exchange between the subject and the environment in each photograph.

In 2002, Pagnano published Shot on the Street, a collection of his color work made during the 1970s and ‘80s that evokes the visual poetry of Helen Leviitt and the intimacy of Joel Meyerowitz.

In the preface, Pagnano writes, “’Shot on the Street’ refers not only to the images having been taken on the street, but more importantly, to the psychological effect of the street. It is a place where races of people and social classes converge and vie for space and mobility with ever increasing urbanism. It can excite, anger, defeat, and inspire. The street’s influence and energy never ceases.”

That electric energy comes alive in Pagnano’s work, whether capturing candid scenes of daily life on the pavement or taking in the pleasures of Empire Roller Disco, his series documenting the legendary Brooklyn skating rink. Here, Kari Pagnano, his wife of 44 years, gives us a deep, heartfelt look at Pagnano’s life and legacy.

The Extraordinary Life of Inge Morath

Inge and Ernst Haas during their first reportage for Magnum Photos
Capri, Italy, 1949, photographer unknown.

Venice in the rain, 1954.

It was a rainy day in Venice back in November 1951. Inge Mörath was visiting the city with her then-husband Lionel, and was so struck by the quality of light that she phoned Robert Capa with an idea. He needed to send a Magnum photographer to capture the city as it was. Capa suggested Mörath take the pictures herself.

Mörath just so happened to take along her mother’s Contax camera, and had the store clerk load the film. Then she set a 1/50 exposure at f-stop 4, and posted up on a corner to watch the world unfold, a kaleidoscopic panorama of pedestrians and pigeons, stone streets and brick walls — and immediately knew she had found her calling.

Inge Mörath: Magnum Legacy – An Illustrated Biography by Linda Gordon (Magnum Foundation/Prestel) chronicles the illustrious photographer’s extraordinary life. Born in Austria in 1923 to a pair of traveling scientists, the family flourished under the Nazi regime, moving to Berlin in 1938. But then the war began, and nothing would ever be the same.

Looking Through the Eyes of a Daughter of the American South

Rosalind Fox Solomon, ‘Chattanooga, Tennessee, 1976’ in Liberty Theater (2018). 

Rosalind Fox Solomon, ‘Hixson, Tennessee, 1975’ in Liberty Theater (2018). 

Rosalind Fox Solomon, ‘Scottsboro Alabama, 1976’ in Liberty Theater (2018).

Beginning in the mid-1970s, American artist Rosalind Fox Solomon traveled across the South creating a powerful series of photographs that reveal the state of the nation during the first decade following the Civil Rights Movement. It is here in Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South Carolina that we are privy to the complex interconnection of life rooted in the triumphs, tragedies, and traumas of the past.

At the time Fox Solomon started making these images, she had begun taking trips to New York to study photography with Lisette Model, a master of the human psyche laid bare in silver gelatin. Fox Solomon’s work bears witness to the power of photography to cut to the quick, to go beyond the luxuries and limitations of language by focusing solely on action, gesture, and expression to tell us more than word could ever say in a single, fleeting moment.

Fox Solomon’s photographs resonate with quiet grandeur, visceral eccentricity, and profound depth of ineffable emotion. Over the next two decades, she traversed the deepest reaches of the South to create Liberty Theater (MACK), an exquisitely nuanced portrait of the profound interplay of race, class, and segregation.

3 Photographers Will Get $500 to Shoot Their Dream Projects

Since we launched our international project The Print Swap in 2016, photographers around the world have taken part. Spanning six continents and all genres, they’ve inspired us with their unique points of view, so over the course of about two months, we invited all participating Print Swap photographers to pitch us the projects of their dreams. It was a limited-time opportunity, and we received an overwhelming number of inspiring ideas from artists and journalists all over the world. We ultimately selected three photographers to receive $500 each to bring their projects to life: Ashraful Arefin, Tori Gagne, and Julien McRoberts. Here’s a brief preview of what each of them has in store. All of the photos featured here are part of The Print Swap.

#ThePrintSwap Is Coming to Sydney in a Stunning New Show

Holy River © Pravin Tamang (@pravin_tamang), New Delhi, India

Winter Sunset © Danielle MacInnes (@daniellemacinnes_photography), Stratham, NH

An afternoon in the street of Jaisalmer © Ashraful Arefin (@ashrafularefin), Dhaka, Bangladesh

The Print Swap, the worldwide project by Feature Shoot, is heading for The Other Art Fair Sydney next month! Curated by Carly Earl, Picture Editor at The Guardian Australia, our tenth international exhibition features 21 images from photographers all over the world. Selected photographers hail from locales throughout the United States, Brazil, India, Bangladesh, Singapore, Finland, Sweden, Spain, Russia, and France.

There is no fixed theme for this exhibition, and the collection is left open to interpretation. Perhaps one theme that does emerge, however, centers around the precarious relationship between nature and humankind. The sea becomes a recurring motif, as does the man-altered landscape, as seen in Stas Bartnikas’s aerial landscape and Emmanual Monzon’s roadside scenery. The fragility of the wild comes to the fore in the works of Tiina Tormanen, who photographs a dead fish, and Aurélien Calonne, who captures Skaftafellsjökull, a melting glacier in Iceland. And still, despite all this frailty, these twenty photographers find beauty in the earth, whether they’re exploring the remotest wilderness or walking the bustling city streets.

Presented by Saatchi Art, The Other Art Fair Sydney is now in its fifth year. Join thousands of visitors for the fair at Australian Technology Park in Eveleigh from March 14-17. You can purchase tickets here.

As a reminder, photographers around the world are welcome to submit to The Print Swap by tagging their best images #theprintswap on Instagram. Submissions are currently open for our Paris exhibition, opening for five days at Studio Galerie B&B this spring. The photographer and gallery co-director Elise Prudhomme will be our guest curator. All Print Swap photographers give a picture and receive one from another inspiring photographer somewhere in the world, regardless of whether or not they are selected for our offline exhibitions. As always, it’s free to submit, but selected photographers pay $40 per image to be part of the swap. Learn more at our website and follow along at @theprintswap for updates.

A Portrait of Brooklyn Before it Was Gentrified

John and Michael, 16th Street, 1980

John’s Caddy, 6th Avenue, 1975

Back in the 1950s and ‘60s, a movement was afoot. The media called it “white flight” and sang it from the rooftops. The cities were being abandoned as white families ran for the hills of suburban towns just as Black and Latinx populations were finding a foothold in northern climates following the Great Migration, Operation Bootstrap, and Operation Peter Pan.

By the 1970s, a new era had begun — one of fueled by urban decay that left only the most strident New Yorkers in place. It was a city of true grit, where only the strongest survive, a city filled with idiosyncratic characters that were simultaneously celebrated and vilified. It was, simply put, a new York in every sense of the word.

Brooklyn native Larry Racioppo headed west for two years before returning to his hometown in December 1970. He took a job at the phone company and a class at SVA, which inspired him to start photographing the world in which he lived. Then little by little, everything began to change.

The Secret Bond Shared by Animals and Children, in Photos

Throughout her career, Meera Sulaiman has come face-to-face with a wide array of wild animals, ranging from the giant tortoises of the Galápagos Islands to the trumpeter swans of Ontario. She’s seen the circle of life up-close, witnessing the development of young animals in their native landscapes. She didn’t deliberately set out to photograph animals in captivity, but an encounter she once observed at a local zoo remains embedded in her psyche. A female orangutan and a young girl sat face-to-face, separated by glass, mimicking each other’s gestures. While other adults moved on, she lingered there, and she returned to the subject again and again.

Her project Whispers captures the silent connections that form between children and animals. “Children seem to have a magical affinity with animals, and I see parallels in their worlds,” Sulaiman says. “This series is inspired by my love and fascination with exploring this special, yet little understood, relationship.”

Moments of Splendor and Repose in Evelyn Hofer’s New York

Three boys at the front door, 1975

Arteries, 1964

There are moments when you find yourself gazing upon a photograph feeling as though you were there. In the silence of the still image, you can feel the breeze caress your hair as the steady of flow of traffic hums along. The sun warms your back as you take it all in. It’s like you are there; of course, you are not, but the image gets transferred into your memory anyway. You now have a memory of witnessing something someone else saw, and all of the attendant emotions it caused. Can you be nostalgic about someone else’s life? It’s the question that comes up time and again in Evelyn Hofer: New York (Steidl).

The monograph itself, begins with a reference to an older time, drawing inspiration from the classic 1965 book New York Proclaimed, which features an in-depth essay by V. S. Pritchett and photos by Hofer before moving on to include a selection of previously unpublished photos made during early ‘70s throughout. Evelyn Hofer’s New York is the city of one who knows it well, who traverses its streets, parks, and bridges. It is the landscape of a True Yorker who loves it all: the glass and steel, the flesh and bone, the lives to be found everywhere you look.

Moving Photos of the Stray Animals of Sarajevo

For the photographer Adnan Mahmutovic, the stray animals of Sarajevo are more than the subjects of a longterm series. They’re an important part of the fabric of his life. “I don’t consider this is a ‘project,'” he admits. “I’ve taken photos on my everyday walks for years now. The dogs or cats come for a little cuddling or some food.” His pictures aren’t spur-of-the-moment snapshots but the result of an enduring connection spanning many years.

Inside Chris Stein’s Punk Photo Diary

Snuky Tate, Fab 5 Freddy, and kid punk band the Brattles, 1981. The Brattles opened for the Clash at their New York City show at Bonds on Times Square.

Brooklyn’s own Chris Stein took up photography in 1968, at the age of 18, and began to amass a body of work documenting New York life as the punk scene came into existence. In 1973, he met and began working with Debbie Harry, and together they founded Blondie. From this rarified position, Stein had the best view in the house, the consummate insider in the quintessential outsider scene.

His new book, Point of View: Me, New York City, and the Punk Scene (Rizzoli New York), is a visual diary of daily life during the 1970s, the rawest decade of them all. Stein takes us all the way back to his days as a student at SVA, and gives us a guided tour of a young artist coming of age in a city that was equal parts decadent and derelict, and home to characters like none before or since, be it William Burroughs, David Bowie, Divine, Andy Warhol, or the Ramones.

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