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The Couple Who Found A Shared Love For Tornado Chasing

07 May 2016: A classic severe weather set-up in the high plains of Colorado near the town of Wray, which yielded one of the most photogenic tornadoes of the year. We were just ahead of the storm as the tornado started and tracked with it as it grew from a fine funnel to a sizeable cone tornado. At this moment, the twister was at its most photogenic while its parent supercell continued to be manageable. We were among a number of people, including those you see in the shot, nervously enjoying the epic display nature put on for us.

07 June 2014: A clash between two storm cells in New Mexico, US in June 2014, each with its own rotating updraft. It appeared as though one updraft was anticyclonic, resulting in a very turbulent scene. The curved striations of the oldest noticeable against the new bubbling convection of the newer. It was a fantastic sight to watch and it’s the rarity of such scenes that keep drawing us back to the US Plains each year.

The Irish philosopher Edmund Burke wrote in 1757:”The passion caused by the great and sublime in nature… is Astonishment; and astonishment is that state of the soul, in which all its motions are suspended, with some degree of horror.”  Referring to the aesthetic concept of the sublime, Burke explains how fear – especially the fear of God – can be evoked by the power of nature, and it is exactly this mixture of awe and fear we feel when looking at these apocalyptic images by British couple Cammie Czuchnicki and Tim Moxon, aka Weather Studios. Each spring for the last seven years, the couple made the trip to the US to follow the tornado season north – from Texas to the Dakotas – to photograph the spectacular weather. In their photos, the storms are shown raging across the land, rolling in like mega-tsunamis, making it hard not to focus on our vulnerability as humans.

The Only Spaces for Intimacy in Romanian Jails

When Romania became part of the European Union in 2007, the country had adjustments to make. Among them was that every jail in the country had to have an ‘intimate room,’ a place for inmates to spend private time with their partners. Over the course of several years, Cosmin Bumbut photographed these newly-created cells in all of the country’s 40 penitentiaries. His photo series, Intimate Room, is a complete documentation of these artificially created spaces for intimacy.

20 Years of Protest in NYC, in Photos

Brooklyn, 1991. A woman walks by a line of police during the Crown Heights race riots in Brooklyn. This was a three-day racial riot that occurred from August 19th to 21st and pitted African American and Caribbean Americans against Jewish residents. © Mark Peterson

Pro-choice demonstrators in downtown Manhattan protest the July 3rd, 1989 Supreme Court Webster decision which limited Roe V Wade. This was a turning point in the pro-choice movement. 24 were arrested, including activist Mary Lou Greenberg, as they stormed the Brooklyn Bridge. © Nina Berman / NOOR

When photo editor Meg Handler and historian Tamar Carroll first started talks in 2014 about what would later become the exhibition Whose Streets? Our Streets! at the Bronx Documentary Center, Donald Trump had not yet announced his bid for President of the United States. Eric Garner, Sandra Bland, Freddie Gray, and Alton Sterling were all still alive. The Black Lives Matter movement was in its infancy.

Haunting Visions of the Sprawling American West

French photographer Emmanuel Monzon thinks living in the United States is like living inside a painting. In his meticulously crafted American scenes, all humans have vacated the premises, leaving behind only the background they once inhabited.

The Forgotten History Of The Koreans Of Mexico And Cuba

To many it might come as a surprise to learn that there are Korean-Mexicans and Korean-Cubans, though with this revelation it becomes imperative to come to terms with the largely forgotten tragedy which befell their ancestors. In 1905, 1,033 Koreans boarded the SS Ilford to Mexico. It was imagined and portrayed as a journey towards prosperity in the new world—a departure from what was then an impoverished country, and in the same year was already falling into the clutches of Imperial Japan. The reality that awaited these migrants was a life of indentured servitude in the Henequen plantations of Mexico, harvesting an agave that was then known as “the green gold” of Mexico. Many fled to Cuba with dreams of getting a foothold in the then lucrative sugar cane industry, though by the time they arrived the industry had already plummeted. Their homeland already a Japanese colony, they were again destined to hard labour in Cuban henequen plantations.  Argentinian-American-Korean photographer Michael Vince Kim pursued this story as a natural progression from his previous work focusing on language, identity and migration, entitling the series Aenikkaeng, (Korean for ‘Henequen’).

These Majestic Photos Capture a Disappearing Way of Life

In 2001, California-based photographer Oliver Klink embarked on a project to document the disappearing traditions and customs across Asia as modernization and cultural homogenization takes its toll. “When the Three George Dam was completed, the water level rose by over 100 meters (300 ft),” says Klink, and he saw the displacement of 1 million people from the edge of the Yangtze River. This proved to be just one example of how such communities are being affected by the change.

Visions of Iceland from a Remote Sheep Farm

In her remote corner of Iceland, photographer Marzena Skubatz makes her home in a sheep farm and weather station.

Portraits Depict Life In A Powerful New Zealand Gang

Casey Morton, a photographer based in New South Wales, Australia, wanted to document the contradictory existence of belonging to one of New Zealand’s most powerful gangs, the Black Power NZ. Formed in New Zealand by Maori and Polynesian men as a response to feeling marginalized in a colonized nation, they’re tough, live by their own creed, and are extremely exclusive.

A French Photographer Finds Magic in the Streets of China

French photographer Marilyn Mugot longs for dépaysement. The word doesn’t have a direct English translation; some dictionaries define it as “disorientation” or “a change in scenery,” but the artist describes it simply as “this feeling of being far away from home.” And she found it in China.

The Woman Who Wanted to Photograph Every House in Poland

© Zofia Rydet, from the series Sociological Record, Courtesy Foundation Zofia Rydet

© Zofia Rydet, from the series Sociological Record, Courtesy Foundation Zofia Rydet

Zofia Rydet mentioned in one of her letters that taking photos for her is like vodka to an alcoholic,” curator Sebastian Cichocki says of the 20th century photographer, “It’s like an addiction, so she collects more and more and more and she’s never satisfied.”

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