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Posts tagged: fine art photography

Haunting Photos from a Make-Believe World

No Goodbye

Her eyes once filled with joy
Until he said, ‘Why not a boy?’

She followed in her childlike trance
Waiting for a loving look, or a backward glance.

No man should ever leave,
A little girl who says, ‘Daddy Please’.

Copycat Dolls

Fickle followers of fashion
Flock to the frilly frock and mock,
The very stature that should matter.

Where follies of copycat dollies
Prance pristine with glamorous gleam.

From day to day, with nothing to say.

Gillian Hyland’s photographs aren’t “real” in the strictest sense, but that doesn’t mean they aren’t “true.”

The pictures are based on the artist’s own poems, which are based on real life, but the final results are elaborately staged pieces of theater. She casts her models, chooses the location, selects the wardrobe, and gives mood boards to hair and make-up artists to inspire the final look.

The Eerie Phenomenon of Numbers Stations, in Photos

HM01 Spectogram

RAF Akrotiri, Cyprus

No world government has ever confirmed the use of numbers stations, but none have flatly denied it either. The stations date back to the Cold War, perhaps earlier, and many are still transmitting. Often, it’s a string of numbers recited by a computerized female voice— sometimes the voice of a child.

According to the thousands of enthusiasts who monitor them, the broadcasts could be coded messages sent from intelligence agencies to their spies. They cover vast distances, and they’re impossible to decode. When the public asks, government officials and bureaucrats typically respond with something like, “We don’t intend to discuss these stations, if any exist at all.”

For London photographer Lewis Bush, that’s not enough. He’s devoted two years to investigating and locating possible stations. He spoke to some of the dedicated “numbers monitors” who have spent much of their lives scrutinizing the broadcasts. He also studied declassified documents, history books, interviews, and first-person accounts by former agents.

Ordinary Scenes from the Extra-Terrestrial Landscape of the American Southwest

Serge J-F. Levy

Serge J-F. Levy

In his series The Fire in the Freezer, Tucson, Arizona artist Serge J-F. Levy documents “the small happenings of life and the ordinary scenes in the extra-terrestrial landscape of the American Southwest.” The project, which was awarded special recognition by the Dorothea Lange–Paul Taylor Prize from the Center for Documentary Studies at Duke University in 2015, moves beyond documentary or landscape photography to describe the artist’s shift from life in New York City to the Sonoran Desert, from black and white street photography to color images that focus on scenes in nature, and from one “place” in life to another.

65 Photos from The Print Swap Are Coming to Photoville!

‘A Broken Pulsar’ © Fili Olsefski, Athens, Greece

‘Down by the Station’ © Steffen Tuck, Brisbane, Australia

‘Havana by Night’ © Eric Hsu, New York, NY

Last year, Feature Shoot launched The Print Swap, a way to connect photographers around the world. The rules are simple: anyone can submit by using the hashtag #theprintswap on Instagram. If your image is selected, it’s printed by the experts at Skink Ink in Brooklyn before being mailed across the world and landing on the doorstep of another winner. Every winning photographer gives a print, and every winning photographer receives a print too. Pieces are mailed out randomly, so it’s always a fun surprise to see who ends up with which print.

Since its inception, The Print Swap has received more than 45,000 submissions. Curators Alison Zavos and Julia Sabot have selected more than 2,500 winning images. Over the past two months, they’ve also considered all incoming submissions and handpicked 65 of them to show at the first ever Print Swap exhibition, opening in September at Photoville at Brooklyn Bridge Park. Photoville, the largest annual photography event in New York City and, will include 70+ exhibitions this year, all installed in repurposed shipping containers-turned-galleries.

This is truly an international exhibition. Zavos and Sabot chose pictures from photographers working in twenty countries around the world. But more than that, this collection represents a wide range of practices, genres, and methods. There’s film; there’s digital. There’s classic black and white and vibrant, artificial color.

These photographers find reverence, dignity, and whimsy in humans and animals alike. Jake Green photographs Sonja Usher, an actor playing the role of the Archbishop of Canterbury in a production of Shakespeare’s Henry V. Kristen Bartley introduces us to Picasso, a dog whose name presumably comes from the slightly off-kilter structure of his face. Even uninhabited places, like Steffen Tuck’s Australian subway station or Bonita Chan’s reflected Hong Kong carousel, seem to thrum with life.

For all the beauty, there are also echoes of urgency and loss that color and illuminate corners of this exhibition. Aleksandra Dynas meets children living in the streets of Uganda, where over ten thousand young people go without food, shelter, education and medical care. Many work in demolition and do jobs on trucks, and the littlest ones collect metal and plastic. Yusni Aziz encounters a young resident of the Kampung Akuarium in Jakarta sitting in his “dream house,” a thoughtfully designed and decorated fisherman’s boat, after families in the area were evicted and their homes were razed to the ground.

Here, you’ll find all the participating photographers showing work at The Print Swap exhibition at Photoville. We hope you’ll visit in person between September 13-24, 2017. After all, these prints were meant to be seen in real life, hanging on a wall. As always, The Print Swap is open for submissions. Find more details on our website, and check in at @theprintswap on Instagram, where we regularly share winning images. Thank you to everyone to submitted work this time around. We love seeing your images.

An imagined elderly couple reflect on the dreams that went unfulfilled


“And in silence, where time seems to stand still, they ponder what life may have been… ‘What happened to the time, where we chased our dreams? ’ ‘When we were young, what did we know about fulfilling a life together?’ Love comes and goes like the ebb and flow of the ocean” – Annabel Oosteweeghel.

Annabel Oosteweeghel was walking near her house in Noordwijk, a small coastal town in the Netherlands, when she stumbled upon a perfectly-maintained bungalow from the 1960s. “It seemed as though time had stood still there” she writes. In her mind she imagined the story that had taken place inside behind those walls, envisioning it as the lifelong home of an elderly long-married couple.

Her Everlasting is a melancholic, poetic reimagining of what might have taken place there.

A two-minute walk from the beach, “the bungalow was the perfect filmset”. The interior too was still furnished as it was in the ‘60s. The location inspired her to write and storyboard with the idea of creating a staged series of images using her own narrative.

The story that the artist dreamed up centres on unfulfilled dreams, loneliness and dwindling communication in long-term matrimony. “The couple are ending life together here, but in their minds still feel quite lonely” she explains. “They wonder whether life could have been different had they chosen another path”.

All the images here are carefully staged. The protagonists in this series are the older husband and wife—Oosteweeghel hired models to interpret these characters in staged scenes, but the models are also a married couple in real life. The photographer also hired a stylist to ensure that everything fit in with the period style of the bungalow.

Enter The 2017 PhotogrVphy Grant for a Chance at $1000

Images © Drew Nikonowicz, Elena Anosova, Matt Hamon

PhotogrVphy Magazine established the annual $1000 PhotogrVphy Grant to support photographers working across genres around the world. Every year, they welcome an international jury of editors, curators, publishers, agents, gallerists, academics to select winners who fit into five broad but distinct categories. This year’s categories are Architecture, Conceptual, Nature, Photojournalism, and Culture.

A New Shop for Beautiful Prints

In 2016, Ken Allen Studios introduced a brand-new dye sublimation printing facility after much research and a few international trips to the experts behind the process. They brought in state-of-the-art equipment, including an especially impressive heat press, and in the last year, we’ve seen the studio produce stunning prints on ChromaLuxe® aluminum, including all the images exhibited at United Photo Industries for the Third Annual Feature Shoot Emerging Photography Awards Showcase earlier this summer.  

This Saturday, August 26th, Ken Allen will open Little Metal Print, a new space in Brooklyn devoted entirely to exquisite dye sublimation printing. All are welcome to attend the Grand Opening, with some perks available for Feature Shoot readers.

A Photographer Finds Terror and Magic on the Banks of a River (NSFW)

Indonesian photographer Aji Susanto Anom still carries with him the stories he heard as a child. In Javanese mythology, he says, the river is where people cast off their bad luck. When people make offerings here, evil spirits and unfortunate thoughts are thrown out into the water and left behind. At night, they linger there like ghosts.

Humankind’s Bizarre Relationship with Nature, In Photos

Victoria Crowned Pigeon, The National Aviary, Pittsburgh

Zebras, Carnegie Museum of Natural History, Pittsburgh

In the last four years, Emma Kisiel has spent a great deal of her time in natural history museums throughout the United States, perched outside of the dioramas featuring taxidermied animals. The children who visit with their parents often asked similar questions:”Are these real animals?” The parents, Kisiel reports, usually gave ambiguous answers. They might say, “They were real. Now they’re not” or “They’re not real. They’re dead.”

Photos of Lonely Strangers in the Streets of NYC at Night

“The people in the photos are all strangers,” NYC photographer and filmmaker Daniel Soares tells us, “And I make up these stories in my head, about why they are going to get beer or cigarettes at 1:00 AM.” He’s created Neon Nights over the course of many midnight walks through the hushed side-streets of the city.

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