Andi Schreiber: I crave routine in terms of my art making but it’s impossible to achieve. I’m a full-time parent so I try to get my work done when my kids are out of the house or at school. While it would seem that the hours are endless, the days go by fast, usually emptied by various household responsibilities. My fine art routine has adjusted to fit into these other obligations, like by taking my camera along to my children’s dental checkups or having it on hand when I’m spending an afternoon on the sidelines. I’m also good about uploading to my computer regularly, selecting my images in Photo Mechanic and then processing in Lightroom. The better images get exported as tiffs while the rest are exported as jpegs. Then I do some tweaking in Photoshop and the keepers get placed into folders for various projects. I have a blog that I use to share my new work but I’m not posting as often these days. Now it seems that that my photographs need more time to marinate before I’m ready to share them publicly. Maybe blogs are so 2010 but I still find mine to be a useful place for thinking about my work and my process.
Bruce Gilden: I get up early. I go to sleep early.
Diana Markosian: Doesn’t matter where I am, which home I am in, or what hotel I am staying in, I am fairly structured with my day. I wake up around 5 am, shoot for the first two hours (if I am on assignment), then go home and make breakfast — usually oatmeal and coffee. Then I work through the morning as late as I can before going to the gym. The morning is my most productive time, so I try to prolong it. I spend the afternoons/evenings in the field, working on my story. I come home late. Edit. Afterwards, I usually read for a while and then go to bed around midnight.