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Posts tagged: portrait photography

Intimate Photos of Basquiat as a Young Man

Basquiat in the apartment, 1981. Photograph by Alexis Adler.

Refrigerator in the apartment, c. 1979–1980. Photograph by Alexis Adler.

Before Jean-Michel Basquiat was known by name, his work had already hit the streets of New York. Writing under the name SAMO©, Basquiat and partner Al Diaz co-opted the means of graffiti to build street cred and fame but they took it a step further by adding tongue-in-cheek turns of phrase in bold block letters. By avoiding the highly stylistic letterforms of graffiti writers, SAMO© made it clear: they wanted to be read, known, and understood. Theirs was a message to the people of New York.

Powerful Portraits of Women Who Are Changing the World

Clementina Ilukol, Uganda, is a leader of young midwives.

“There are many challenges for women in the community where I work. There is a lot of domestic violence. There is child marriage. forced marriage. You find these young girls being denied the chance to go to school because they are supposed to care for other children at home, not knowing they are being denied their rights.

“The best advice I have received is to take time at school. Acquire higher levels of education and don’t be rushing into marriage. I am still single, and I feel I should work hard. After that, I will get married.”

“There is an awakening happening on a large scale,” Copenhagen photographer Andreas Bro tells us. He’s talking about the fight for women’s rights, and he saw it firsthand when attended the Women Deliver conference, where nearly six thousand individuals from 169 countries came together to discuss the health, education, and wellbeing of girls and women around the globe.

Call for Entries: The RPS International Photography Exhibition

Rose in a Fox Mask © Melanie Eclare

Abrigo Corner 1 © Tom Blachford

The International Photography Exhibition by The Royal Photographic Society has been a fixture of the photography community since 1854, just fifteen years after the invention and introduction of practical photography. Now in it’s 160th year, the IPE is the single longest-running photography competition of its kind, allowing contemporary photographers to follow in the footsteps of early exhibitors like Julia Margaret Cameron, Edward Steichen, and Roger Fenton.

For this year’s worldwide call for submissions, the RPS has once again opened its doors to photographers of all backgrounds, working in all genres. As always, there is no fixed theme, making IPE one of the most consistently diverse photography exhibitions in the world.

40 Subversive Female Photographers Who Capture Women in a New Way

Lulu, Ali and Sofy, Long Island, 2015 © Mayan Toledano

Zinzi and Tozama II Mowbray, 2010 © Zanele Muholi

Untitled #23 (Selfie), 2013-16 © Petra Collins

In 1975, feminist film critic Laura Mulvey coined the phrase “the male gaze.” For centuries, the default audience in art and media has been assumed to be both male and heterosexual. 1972, John Berger supported that idea, writing, “Men look at women. Women watch themselves being looked at.” More than 40 years later, the tides are finally changing.

Critics, curators, and scholars have a new phrase now: The Female Gaze. Writer Charlotte Jansen is one of them, and her new book Girl on Girl: Art and Photography in the Age of the Female Gaze is an in-depth exploration of the phenomenon, as seen through the eyes of 40 contemporary artists, working across 17 countries worldwide.

Magical Photos from the World’s Surviving Tribes

Suri Girl with Orchid Wreath, Ethiopia

Sisters Meal Festival Dancer in Guizhou, China

Photographer Terri Gold says she wants to find “the grace notes” of humanity. She has vivid memories of spinning an old-fashioned globe as a child, and as an adult, she dreams of faraway places and the secrets they keep hidden.

Gold has devoted much of her life to visiting the Indigenous tribal communities of our planet. The longterm project Still Points in a Turning World has taken her to Namibia, Ethiopia, Kenya, Niger, India, and China. She’s camped under the desert skies with the Wodaabe nomads, and she’s watched the sunrise over the villages of the Omo Valley, where people paint their bodies and adorn themselves with plants and shells and bones. She has driven through the hairpin turns of the mountains of Guizhou, a landscape etched with 2000-year-old rice terraces.

‘The Photographer’s Guide to Hashtags’ Shows You How to Be Successful on Instagram

At Feature Shoot, we find a lot of our stories on Instagram. It’s one of the top places we search for new and emerging talent, and we’re not the only ones.

“When I assign, I look at a photographer’s Instagram presence first,” Kerri MacDonald, Social Media Photo Editor at The New York Times, told us. Olivier Laurent, editor TIME’s photo website LightBox, agrees: “I constantly use Instagram to discover new talents. One can learn a lot about a photographer’s vision, identity and commitment through her or his Instagram feed.”

Hashtags are the key to making your work visible to photo editors, curators, and potential clients. Many editors, including the editors of Feature Shoot, search through their favorite hashtags every single day. “Hashtags have helped companies and brands discover my work and then hire me to produce content for them” photographer Joshua K. Jackson says, “I’ve also sold fine art prints to people through my website after they found my profile under specific tags on Instagram.”

It can be hard to know what hashtags to use. Hashtags that are too general aren’t useful. If you tag your photos #photography, for instance, they’ll get lost in a sea of nearly 100 million images, so they key is getting specific.

That’s why we partnered with Photoshelter to create The Photographer’s Guide to Hashtags. The comprehensive guide covers hashtags specific to eleven genres of photography, some of which might overlap: Travel, Portraits, Black and White, Street, Architecture, Minimalism, Documentary, Landscape, Film, Fine Art, and Drones/Aerial.

Readers of the The Photographer’s Guide to Hashtags will find 67 specific hashtags to use for increased exposure and potential opportunities. We cover two different types of hashtags. “Searchable” hashtags are popular hashtags photo editors often use to search for content, whereas “Submittable” hashtags can be used to submit work directly to an influential feed, where it can be seen by a wide audience. Our hashtag, #myfeatureshoot, is an example of a submittable hashtag. To date, nearly half a million images have been submitted to our feed via Instagram, and we spotlight some of our our favorites every day.

Additionally, the guide includes insider tips from curators, influencers, editors, and photographers about how and when to use hashtags to suit your particular set of needs. We also gained insight into what leading photography Instagram accounts look for when searching for content.

The Photographer’s Guide to Hashtags was produced by Feature Shoot in collaboration with Photoshelter. Get you free copy today.

One Dad’s Fake Photos of His Baby Daughter in Scary Situations

Hannah, an 18-month-old girl from Dublin, has a fantastic sense of humor. She smiles a lot, and she loves music.

But Hannah’s life and happiness has been hard-won. She spent much of her first year, from the age of four to ten months, in a hospital, where she was treated for hemophagocytic lymphohistiocytosis (HLH), an autoimmune disease.

After chemotherapy and a bone marrow transplant, Hannah’s HLH was cured, and she finally left isolation, though she still needs regular care because of the transplant. Now, she gets to explore the world around her, with help from her father, designer Stephen Crowley. And he photographs her every step of the way.

A Poignant Portrait of Survivors of the Holocaust

I set out to do something with meaning. Being fortunate enough to have met and photographed these remarkable people has certainly felt meaningful to me. – Harry Borden

Having spent most of his career photographing celebrities, celebrated portrait photographer Harry Borden decided it was time for a change. His project Survivor, which culminated into what would become his first-ever book containing over a hundred portraits of Holocaust survivors, was not only an attempt to create an important historical artifact, but also an exploration of his own cultural heritage.

Growing up with a Jewish father, Borden recalls his father telling him that the Nazis would have killed ‘people like us’. He also remembers the shock this statement roused in him. Describing his dad as “a resolute atheist Jew who derived nothing from his background except a fear of anti-Semitism,” Borden writes in the book’s introduction: “I think it was my dad’s ambivalence towards his heritage – and his disturbing revelation that it had once been deemed punishable by death – that really motivated me to create this body of work.”

The Women of the BDSM Fetish Community, in Photos

Mistress Morrigan Hel, London, 2016

London photographer Max Eicke describes the BDSM community as a “parallel world.” He spent three years stepping in and out of that realm, interviewing and photographing professional dominatrices, submissives, and switches (women who both dominate and submit) in Germany and in the United Kingdom. Dominas, published by Kehrer Verlag, is the culmination of his collaborations with these women.

The Bloody History of Colonization in Tasmania, in Photos

Eliza Pross is a descendant of Truganini who is famed as being one of the last full blooded Tasmanian Aboriginals. Eliza’s family is from Bruny Island, the home of Truganini.

Risdon Cove Massacre, 1804. Facts about deaths at this site are highly debated. One group claim that less than three Aboriginal people were killed during the conflict, while the majority of historians claim that over 30 Aboriginals were slaughtered. Image is overlaid with a John Glover painting.

When Australian photographer Aletheia Casey was a child, she didn’t learn about any of the frontier conflicts of the time of settlement and colonization in Australia, and she didn’t learn about The Black War in the island state of Tasmania. For the most part, she was told about heroic European settlers, who tamed the wild terrain of Australia at the beginning of the 19th century and built their homes and farms across the land.

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