Menu

Posts tagged: portrait photography

Youthful Fantasies on the Beaches of Montauk

Lilla_Kneeling

Lilla Kneeling

Jessica-and-Kurt

Jessica and Kurt

New York City-based photographer Michael Dweck remembers vividly the time he went to Montauk at the age of seventeen. It was 1975, and there was the sand, the surf, and girls who, in his words, “looked, well, like they didn’t belong on Long Island.” Visiting Montauk was like falling in love for the first time a thousand times, and he would return to the beach some thirty years later, publishing his book The End in 2004.

The Bewitching Goddesses and Green Men of Glastonbury

Untitled+(28)

AVALON1

Photographer Dave Watts weaves in and out of the goddesses and green men, looking for portrait subjects— just as he did the year before.

A Look at the Lives of Transgender Women in Indonesia

A young transgender puts make up on in his bedroom at Mami Joyce's house.

A young transgender woman puts make up on in her bedroom at Mami Joyce’s house.

Mami Joyce takes a cigarette break halfway through the make up process.

Mami Joyce takes a cigarette break halfway through the make up process.

In the heart of Jakarta’s bustling business district, says Italian-born photographer Giorgio Taraschi, Mami Joyce and her girls make their home. Taking in those as young as eighteen, the human rights activist has built a safe haven for transgender women—or “waria,” as they are often called in Indonesia—to call their own.

Secrets from the Isolated Territory of Susta

Collecting firewood. 2014

A woman collecting firewood for fuel.

Disputed land. 2014

“I hadn’t seen any form of images of the land or the people,” says Kathmandu-based photographer Prasiit Sthapit of what motivated him to visit Susta. Though its name flickered in and out of the newspapers—the territory is contested, claimed on one hand by Nepal and on the other by India—he could find very little about the isolated and mysterious area.

Intimate and defiant portraits of ‘GIRLS’ in present-day China (NSFW)

_3

xieyue

Described as one of the “rising stars of Chinese photography” by Ai Wewei in 2012, Beijing-based Luo Yang is gaining international recognition for her candid photographs of women in contemporary China. GIRLS began in 2007 as a deeply personal series, for in her subjects, Luo observed emotions and questions very similar to her own. The intimate photographs that constitute GIRLS alternate between carefully staged portraits depicting an emerging Chinese subculture that defies our expectations, and snapshots that favour a raw, blurred aesthetic. The photographer simultaneously manages to convey the girls’ defiance and ultra-cool composure, alongside their vulnerability, shyness and insecurities. Luo elaborates: “I can’t say that they represent a whole new generation of women in China, but they are absolutely a group of women who represent independence and freedom”.

One Photographer’s Collaboration with a 175-Year-Old Ghost

morrison_Hauntingly

Hauntingly

In 2002, New York photographer Stacy Renee Morrison found an old trunk discarded in the city streets and filled with photographs, jewelry, perfume, and other delicate keepsakes dating back to the 19th century. They were, discovered the photographer, the possessions of a woman named Sylvia DeWolf Ostrander, who died in 1925 at the age of eighty-four.

Tragedy and Poetry in the World of Paris’s ‘Crisis Generation’ (NSFW)

4 Dans la chambre de Maxime, 2014

Dans la chambre de Maxime, 2014

97 Dexter en cendres, 2010

Dexter en cendres, 2010

“We want to be a lost cause,” explains French photographer Hannibal Volkoff of the generation pictured in his first book Nous naissons de partout, which translates roughly in English to mean We are born all over. Beginning in the late aughts, the artist—himself a young man— has chronicled the ecstatic adventures of adolescents and emerging adults as they toss aside the conventions, rules, and securities of their parents’ generation.

Capturing the Dignity of Bangladesh’s Most Oppressed People

17_Samsul Alam Helal

Dhaka-based photographer Samsul Alam Helal remembers vividly his first encounters with the Dalit community. The men, women, and children were ignored by passersby, turned away by local tea stalls. Seeing the extent to which these individuals were affected by caste-based discrimination, the photographer says, “I remember feeling shame.” That initial pang is what led him to enter the private world of Bangladesh’s Dalits, a name that translates in English to mean “the oppressed.”

A Rare Glimpse Inside Cuba’s Tenement Houses

42-1

20-4

New York-based Italian photographer Carolina Sandretto first travelled to Cuba in 2011; the country fascinated Carolina, as did the “time bubble which entraps it” and the strangely familiar culture she encountered there. The photographer started shooting Vivir Con in 2013, a project which stemmed from a personal exigency to describe what it means to live in Cuba, both in cultural and geographical terms. Due to a lack of means and permits to build new homes, the majority of the Cuban population live in “solars”: a solar is a building that was originally designed to be lived in by only one family, but has been transformed into a multi-family “coop” due to the increase in population and lack of space. Carolina elaborates: “One family often resides in one small room where all family members eat and sleep, from the grandparents to the nephews”. Vivir Con gives us a glimpse into what family life is like in a small space in a tropical country, while examining the tensions between neighboring families who are forced to co-exist.

‘Where the Children Sleep’: The Story of the World’s Most Vulnerable Refugees

Farah, 2

Farah, 2, Azraq, Jordan. Farah, who fled Syria, loves soccer. Her dad tries to make soccer balls for her using anything he can find, but they don’t last long. Every night, he puts Farah and her big sister Tisam, 9, to bed hoping that tomorrow will bring them a proper soccer ball to play with. All other dreams seem to be beyond his reach, but he is not giving up on this one. © Magnus Wennman

Ahmed, 6

Ahmed, 6, Horgos, Serbia. It is after midnight when Ahmed falls asleep in the grass. The adults are still awake, formulating plans for how they will continue their journey through Hungary. Ahmed is six years old, and he carries his own bag over the long stretches that his family walks by foot. “He is brave and only cries sometimes in the evenings,” says his uncle, who has taken care of Ahmed since his father was killed in their hometown of Deir ez-Zor in northern Syria. © Magnus Wennman

It was the children who led Stockholm-based photojournalist Magnus Wennman to the places where they slept each night. They confided in him, shared their memories from home and the fears that come with having lost their families, their friends, their houses, their toys. Wennman touched down in seven countries— Lebanon, Jordan, Turkey, Greece, Serbia, Hungary, and his native Sweden—to meet the youngest of the Syrian refugees, some of the estimated two and a half million minors forced from safety by civil war.

Subscribe to our newsletter

Get some visual inspiration into your day!