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Alex Potter

Dark Isolation: Tokyo

by Alex Potter on September 20, 2012 · 0 comments

Tokyo Salvi-Danes photography

There is an undeniable nucleus of initial interest, a question that from the occidental perspective is easy to think about. How does a society really live, each of its members, in a human and social organization which is apparently exemplary and with an enviable lifestyle? There is a feeling that despite enjoying all the comforts of a modern society, the inhabitants of Tokyo are far away from what was, conventionally, understood as an ideal of happiness.

It is easy to find oneself isolated and alone among a crowd. Enjoying the comfort and economic safety is not a synonym of complete personal realization. A frenetic pace of life can ruin any personal initiative and any possibility of creative life.

From this clash, I could observe a dislocation of the people of this huge metropolis, as if they did not strike a balance between feeling isolated and alone among the crowd.

To sum up, the paradox was solved in a manifestation of solitude, in a great distress, in a sensation of individual frustration. Was that possible to detect and turn it into images? A difficulty due to the fact that I had to face up a perception of a completely subjective and debatable reality. It is not easy to show the breathlessness of the Taboo, the passive attitude or the nightmare of routine.—Salvi Danes

Salvi Danes is a Spanish photographer based in Barcelona, Spain. His work has been honored by the Lucie Foundation, Sony World Photography, IPA, and many others. This work is from his series, Dark Isolation: Tokyo.

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

Tokyo Salvi-Danes photography

This post was contributed by photographer Alex Potter

Lindsay-Mackenzie photography

Lindsay Mackenzie is a photojournalist currently based in Tunisia.  She has spent the last two years in the Arab world documenting the revolutions and aftermath. However, her interest in the world was fueled by first working as a tour guide.

How and why did you decide to be a tour guide?
‘I was living in Vancouver in 2007, working as a researcher at a university. But I was looking for a job that engaged with the rest of the world in a more tangible way. I worked as a full-time Tour Leader for three years, leading about 450 people through 18 countries.’

Lindsay-Mackenzie photography

What was your best and worst experience during this job?
‘My worst experience was working with a student group that had 26 passports stolen in Quito, Ecuador, twelve hours before we were supposed to put all the students on a plane back to the United States at the end of a 3 week trip. After having the passports stolen, we went to the US embassy to get a letter to help us travel without passports, and on the way there, we were almost mugged again. That was a very long day.

‘There is no single best experience but there were certainly many days where I would be, for example, wandering around Havana or hiking on a Greek island and I would forget that I was working. That always feels like a real privilege.’

Lindsay-Mackenzie photography

Lindsay-Mackenzie photography

Did you have a photography career in mind while working as a guide?
‘I’ve always wanted to be a photojournalist and have been interested in international news and in communicating about global issues. But for a long time, I didn’t take the jump to work full-time in photojournalism because I’d read too many articles about the death of photojournalism and how impossible it is to make it as a photographer today. It took me a long time to finally jump in and make the transition to photojournalism.’

Lindsay-Mackenzie photography

‘I realized as I was leading tours that I wanted to spend more time in less places and to engage with the people. In Greece, on one of the last tours I led as a full-time tour leader, I remember that I had a tour to organize but there were protests going on at the same time in Athens and all I really wanted to do was to photograph and to understand the protests. So that’s when I decided it was time to switch to photography. After that I did an MA in Journalism and moved to Tunisia at the beginning of the Arab Spring.’

Lindsay-Mackenzie photography

Lindsay-Mackenzie photography

You still lead tours. How do you balance that with assignments?
‘I stopped tour leading for about two years in order to finish my MA and to give myself space to make the transition to photojournalism. That’s my first priority. But now I teach photography and lead trips in the summers for National Geographic Student Expeditions.

‘I’d like to work towards leading trips for two to four months of the year and then having the rest of the year to focus on photojournalism. Sometimes the two can be complementary: maybe you are assigned to lead a tour in Egypt and you also have a story you want to do there, you can lead the trip and then stay afterwards to do the story.’

Lindsay-Mackenzie photography

Lindsay-Mackenzie photography

What are your plans for the future?
‘I’ve spent the last two years focused on the Arab world and on the revolutions and transitions, particularly in Tunisia and Yemen. I’d like to push myself to broaden my coverage to under-reported issues and to focus on more long-term projects rather than following breaking news and shooting stereotypes.

‘I started a short story in Algeria in May and would like to go back if I can get a visa. And I’m trying to organize something in West Africa for later this year.

‘For tour leading, I’d like to keep leading tours for a few months each year. I keep pushing to get a student travel company to launch some tours in the Middle East and North Africa so that young Americans, in particular, can have a better understanding of that part of the world. It is one of my goals to one day see American high school students spending their summers in Lebanon and Tunisia and Iran. And I plan to keep adding to this personal photo project about group tourism, to try to capture how bizarre that world can sometimes be.’

Lindsay-Mackenzie photography

This post was contributed by photographer Alex Potter

lottie hedley photography

A little over a year ago, after exchanging letters, I spent my first stint on the Hilty farm in Smyrna Mills, Northern Maine. This is a work in progress which I hope to expand to include other farms and businesses which operate in a way so as to encourage stewardship and sustainability.

In the Hilty household life works in circles. Food at meals is passed around the table in a clockwise circle; while questions regarding the morning’s bible reading come around the table in an anti-clockwise direction. The seasons impress their own circular influence on the family’s market gardening business and their method of farming cycles the soil through a process to ensure the soil is enriched rather than stripped. Perhaps most importantly, the family’s philosophy on farming for the future generations speaks to an over-arching cycle.

The Hilty family are part of a burgeoning sustainable farm movement. They believe the Lord intended us to be stewards of the land. Their philosophy is to work with the land instead of against it so their children don’t have to find answers for the problems they’ve created by farming the land to excess.—Lottie Hedley

Lottie Hedley is a lawyer turned photographer from a dairy farm in New Zealand who is currently searching for the meaning of community through photography. Having left her job in corporate law in London at the end of 2009, Hedley attended the professional certificate program at Maine Media College in Rockport, ME and recently finished up an internship at VII Photo Agency in New York City. She is currently based in London.

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

lottie hedley photography

This post was contributed by photographer Alex Potter

If you’re a photographer, you can now promote your new series, website, gallery show, recent assignment, etc. on Feature Shoot for an affordable price. Find out about becoming a Spotlight Photographer here.

Bolivian Mennonites Jordi Ruiz Cirera

They arrived in Bolivia during the fifties, coming from Canada, Mexico or Belize, where their lifestyle was being threatened. In Canada the young people wasn’t taking the right path, and then the government banned their education system. That was enough for leaving the country, and so a group of them went to Bolivia invited by the government with the promise of land and religious freedom. Nowadays in Bolivia, there are more than fifty thousand Mennonites, or Menonos, as they are called here, although the exact number is difficult to know as many of them are living unregistered or with foreign passports. They still live as their ancestors did on the S.XVI Germany, without cars, electricity, telephone, and extremely isolated from the local community.—Jordi Ruiz Cirera

Jordi Ruiz Cirera is a Spanish documentary photographer based in London. Featured is a selection of work from his long term project documenting the lifestyle Bolivian Mennonites.

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

Bolivian Mennonites Jordi Ruiz Cirera

This post was contributed by photographer Alex Potter

Aujin-Rew photography

South Korean street photographer Aujin Rew initially studied architecture. While attending graduate school in the US, she bought a small digital camera and started to immerse herself in taking photos. Her series Where We Pray examines places of worship in and the environment surrounding them. Most of the images shown were taken in Singapore’s red-light district.

Aujin-Rew photography

Aujin-Rew photography

Aujin-Rew photography

Aujin-Rew photography

Aujin-Rew photography

Aujin-Rew photography

This post was contributed by photographer Alex Potter

If you’re a photographer, you can now promote your new series, website, gallery show, recent assignment, etc. on Feature Shoot for an affordable price. Find out about becoming a Spotlight Photographer here.