Axiom & Simulation examines the ways in which humans quantify and explore our surroundings by comparing artistic, scientific, and digital realism.
As a developed global culture, we are constantly transforming physical space and objects into abstract non-physical thought to gain a greater understanding of composition and the inner workings of our surroundings. These transformations often take the form of mathematical or scientific interpretation. As a result of these changes, we can lose all reference to the source: when the calculated representation is compared to its real counterpart, an arbitrary and disconnected relationship is created in which there is very little or no physical or visual connection resulting in questions of definition.
Take for example a three-dimensional rendering of a mountainside. While observing the rendering, it holds a similar form to what we see in nature but has no physical connection to reality– it is merely a file on a computer that has no mass and only holds likeness to a memory. When translating the rendering into binary code, we see just 1’s and 0’s – a file creating the representation from a language composed of only two elements that have no grounding in the natural world.
After all of these transformations, a new reality is created – one without an original referent, a copy with no absolute source. When comparing these simulations and interpretations of our landscape within a single context or picture plane, ideas of accuracy, futility, and original experience arise.
Mark Dorf currently resides in Hudson, New York where he creates his images and continues to study the fields of photography and contemporary art.
Mark Dorf’s ‘Axiom & Simulation’ Photo Series
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