After a career as a New York Fashion Editor, Aline Smithson discovered the family Rolleiflex and never looked back. Now represented by galleries across the country and published throughout the world, Aline continues to create her award-winning photography with humor, compassion, and a 50-year-old camera. She has exhibited widely including solo shows at the Griffin Museum of Photography, the Fort Collins Museum of Contemporary Art, The Tagomago Gallery in Barcelona, and Wallspace Gallery in Seattle. Aline also writes and edits the blog, Lenscratch. Though she was nominated for The Excellence in Photographic Teaching Award in 2008, 2009, and 2010 and for The Santa Fe Prize in Photography in 2009, she considers her children her greatest achievement .
Of this work, Hollywood at Home, she writes: ‘Growing up a stone’s throw from Hollywood and Vine, I have always been intrigued by the real and the manufactured Hollywood. The staged Hollywood at Home photographs from the 40’s and 50’s of celebrities at play or at home with their family are particular favorites of mine. This ongoing series is about elevating family and friends into a false stardom, where they, perhaps, are just on the verge of being discovered, happy to participate in the artificial glorification of who they really are’.
From the monthly archives:
July 2011
Nick Ballon was born in England to the idiosyncratic parentage of a Bolivian restauranteur, and an NHS chief executive from Petts Wood. This may account for his keen eye for the incongruous. In 2001, Nick completed a Photography degree from Berkshire School of Art and Design, which was shortly succeeded by a spell working for renowned advertising photographers’ agency Jo Clark, giving him a good grounding in the business of photography. Nick spent the subsequent four years working as a commercial photographer for a prestigious roster of editorial and advertising clients. Recent accolades include the The Creative Review Photography Annual and Foto8 Summer Show.
Of this work, Viva las Luchadoras!, Ballon writes, ‘The Lucha Libre is loud, action packed fun, but also a violent and colourful spectacle of suffering, defeat and justice. Bolivian wrestling is about excess and character play, so I wanted to catch the wrestlers in their contemplative and quietest moods as a contrast to their fighting characters. Each wrestler had their own warm up routine, some laughed and joked, while others warmed up using breeze blocks as weights, or just paced the backstage building site nervously. With each portrait I allowed each subject to spontaneously pose in or out of character prior to entering the ring’.
Sam Hofman has been assisting and retouching for still life photographers such as Tom Brown, Patrice de Villiers and Ray Massey for more than three years and recently moved into a studio in North London to start his own practice. Of his work, he writes: ‘I’m interested in using food as objects rather than something you would necessary eat, as well as exploring still life’s more experimental and playful side. My work is very much inspired by Irving Penn’. Recent clients include Wieden + Kennedy and the BBC.
Food styling by Iain Graham
Food styling by Iain Graham




































































